Play Along Piano

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counterpoint

J. S. Bach: Stirb in mir (BWV 169 #5)

BSG

5:54	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
Violin 1		18	0	5	5	100%
Violin 2		21	0	9	4	100%
Alto		20	0	8	6	60%
Organ		26	0	9	6	60%

J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

Vigo Kovačić - Fugue in c minor

Vigo Kovačić

1:49	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavir		28	0	9	8	93%
		35	5	14	8	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavir		28	0	9	8	93%
		35	5	14	8	90%

Fugue in G minor

Thomas-S

1:47	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		19	0	7	5	97%
		12	0	3	5	90%
		21	0	5	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		19	0	7	5	97%
		12	0	3	5	90%
		21	0	5	5	95%

Invention No. 1

StaccatoFreak

1:06	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	8	5	5	100%
		25	2	5	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	8	5	5	100%
		25	2	5	5	97%

Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet

BSG

4:46	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
Violin 2		21	0	7	8	100%
Viola		18	0	6	8	96%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

Baroque Again

Howard Bosler

3:31	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	1	5	5	100%
		22	3	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	1	5	5	100%
		22	3	3	5	100%

Invention No. 2

StaccatoFreak

1:32	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		29	4	7	4	100%
		39	10	12	3	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		29	4	7	4	100%
		39	10	12	3	98%

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

Invention in G minor

kaled.dabboussi.3

3:06	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

Fugue

Marc Sabatella

1:19	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	8	5	93%
		25	0	7	6	80%

J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)

BSG

3:19	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

Invention

Marc Sabatella

1:11	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	0	6	4	100%
		25	0	9	4	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	0	6	4	100%
		25	0	9	4	97%

Sinfonia

Marc Sabatella

0:01	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	12	6	100%
		19	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	12	6	100%
		19	0	5	5	100%

Invention in C

Fabio Lee

1:24	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	1	6	6	100%
		22	0	7	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	1	6	6	100%
		22	0	7	5	96%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

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